 | | 1984 by Nikki Moustaki, M.A., M.F.A.
Literary Criticism read by Nick Podehl
|
|
 | | ADVENTURES OF HUCKLEBERRY FINN, THE by Robert Bruce, Ph.D.
Literary Criticism read by Nick Podehl
|
|
 | | ADVENTURES OF TOM SAWYER, THE by James L. Roberts, Ph.D.
Literary Criticism read by Nick Podehl
The Classic Study Guide on Audio!
|
|
 | | AENEID by Richard McDougall, Ph.D. and Suzanne Pavlos, M.Ed.
Literary Criticism read by Kate Rudd
|
|
 | | ALCHEMIST, THE by Adam Sexton
Literary Criticism read by Luke Daniels
The Classic Study Guide on Audio!
|
|
 | | ALL QUIET ON THE WESTERN FRONT by Susan Van Kirk, M.Ed.
Literary Criticism read by Luke Daniels
|
|
 | | ANIMAL FARM by Daniel Moran
Literary Criticism read by Tim Wheeler
|
|
 | | ATLAS SHRUGGED by Andrew Bernstein, Ph.D.
Literary Criticism read by Joyce Bean
|
|
 | | AWAKENING, THE by Maureen Kelly
Literary Criticism read by Kate Rudd
The Classic Study Guide on Audio!
|
|
 | | BEOWULF by Stanley P. Baldwin, M.A.
Literary Criticism read by Ellen Grafton
|
|
 | | BIBLE, THE by Charles H. Patterson, Ph.D.
Literary Criticism read by Dan John Miller
|
|
 | | BOOK THIEF, THE by Janelle Blasdel
Literary Criticism read by Kate Rudd
The Classic Study Guide on Audio!
|
|
 | | BRAVE NEW WORLD by Charles Higgins, Ph.D. and Regina Higgins, Ph.D.
Literary Criticism read by Tim Wheeler
|
|
 | | CANTERBURY TALES, THE by James L. Roberts, Ph.D.
Literary Criticism read by Ellen Grafton
|
|
 | | CATCHER IN THE RYE, THE by Stanley P. Baldwin, M.A.
Literary Criticism read by Nick Podehl
|
|
 | | CONFESSIONS by Stacy Magedanz, MLS
Literary Criticism read by Luke Daniels
The Classic Study Guide on Audio!
|
|
 | | COUNT OF MONTE CRISTO, THE by James L. Roberts, Ph.D.
Literary Criticism read by Dan John Miller
The Classic Study Guide on Audio!
|
|
 | | CRIME AND PUNISHMENT by James L. Roberts, Ph.D.
Literary Criticism read by Tim Wheeler
|
|
 | | CRUCIBLE, THE by Jennifer L. Scheidt, M.A.
Literary Criticism read by Joyce Bean
|
|
 | | DEATH OF A SALESMAN by Jennifer L. Scheidt, M.A.
Literary Criticism read by Dan John Miller
|
|
