July 1912. Lady Hardcastle and her tenacious lady’s maid, Florence Armstrong, are enjoying a convivial gathering at the home of their dear friends, the Farley-Strouds. The only fly in the idyllic ointment seems to be the lack of musical entertainment for the forthcoming summer party—until, that is, Lady Hardcastle’s brother Harry calls with news of a murder.

Beatrice Leal’s personal life is complicated between her divorce and her precocious six-year-old. But the job she loves is the one thing she counts on to be straightforward—that is, until her boss’s own divorce prompts a move from NYC back to Ireland. Now Bea’s in Ireland twice a month for work. It’s wreaking havoc on the custody agreement she and her moody ex are sorting out while he lives downstairs in the brownstone they co-own. And to top it off, her company’s new CTO turns out to be the boy who once broke her heart: Jack Sander.

After more than a decade, when sisters Nikki, Sami, and Tori Knotek hear the word mom, it claws like an eagle’s talons, triggering memories that have been their secret since childhood. Until now. For years, behind the closed doors of their farmhouse in Raymond, Washington, their sadistic mother, Shelly, subjected her girls to unimaginable abuse, degradation, torture, and psychic terrors. Through it all, Nikki, Sami, and Tori developed a defiant bond that made them far less vulnerable than Shelly imagined.

POW Aden Jansen has lost a decade of his life to both the war and internment when he’s recruited by the Alliance. He’s to return to Gretia as an undercover Blackguard operative and destroy Odin’s Wolves—an insurgency that’s setting his home world afire. The mission comes with a full pardon and a chance to reclaim his identity. It also means rejoining his friends and family in space. That’s motive enough. If he can succeed—and survive.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that’s one order she’s more than happy to obey. He may have taken her, but he will never have her.

After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.